TIMOTHY VAN OORSCHOT
(1989 – THE NETHERLANDS)
From an early age, I was always creating with my hands. After studying fine art and advertising, and later working in interior design, I felt the need to change — to let go of my mind and follow my feelings and intuition. I began again with my hands, returning to the most direct way of expressing myself.
Philosophy
I am anti-perfection. Beauty lives in the crooked tree, the misshapen apple, the unintended line. My work embraces imperfection, spontaneity, and raw emotion. Inspired by Cobra art and outsider art, I reject rigid rules and boundaries. I create quickly, instinctively, and honestly, allowing the unexpected to appear.
From “Who Am I?” to “Who Are We?”
At first, my work revolved around the face — a reflection of identity and emotion, asking the question Who am I? Over time, new forms emerged:
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Hands, symbols of embracing, uplifting, and holding.
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Feet, standing for strength, grounding, and stability — both together with others and within myself.
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Natural elements, such as flowers, growing from nature itself. They remind us: we are nature.
This evolution has led my question from Who am I? to Who are we?
Materials & Process
I returned to the basics of black, white, and ink, stripping everything back to line and essence. After discovering a truer self, I began integrating childhood memories into my work — like sand from my father’s garden in Ibiza. This gave rise to the terra colors of Ibiza, opening a universe of natural tones.
In my art, you’ll find symbols most people can relate to. I believe art doesn’t need to be complicated — it should speak a universal language.
My Work
Whether in black and white or natural earthy colors, my style is best described as naïve brut — intuitive, raw, and unfiltered. I don’t see myself simply as a painter or artist, but as someone who must release emotions and feelings through creation.
CONCEPTS BEHIND THE WORK
Black and white art
During my journey of self-discovery, I find ideas that stick with me and later erupt into these concepts exploring personality, self-discovery, and the question of “who am I?”. Here’s a small selection (See work)
“COUNTING ON YOU”
The “Counting On You” totems are 3D representations, designed to resemble rocks with my signature one-line stroke. These rocks appearing to balance on eachother, forming an artful stack with multiple sides. They convey a power- ful message about the importance of standing tall and strong, just like rocks, even when juggling the challenges that come from our different personalities.
These sculptures symbolize our intercon-nectedness and how we rely on each other. They remind us that we can’t flourish in isolation; our lives are wo- ven together in a delicate web of rela- tionships. As you depend on me and I depend on you, we become integral to each other’s lives, supporting and leaning on one another for strength.
These artworks hold a profound mean- ing; they remind us to create balance not only for ourselves but also for future generations..
We have a collective responsibility to maintain this equilibrium, shaping a har- monious world for those to come. Our actions today have a lasting impact on the lives of those who will follow.
“Counting On You” celebrates our in- terconnectedness and highlights the beauty of our diversity. Like steadfast rocks, standing together with resilience and unity, we can navigate life’s chal- lenges and build a future grounded in cooperation and understanding. .
“ONE PRINT MANY FACES”
Fingerprints are widely used by various organizations as a unique identifier to establish one’s identity. They can be found in passports and are permanently stored in databases. However, the question arises whether finger prints truly define us and provide an objective reflection of our character, as they remain abstract recordings of moments frozen in history.
As for me, I have significantly evolved from the person I was at 18 or even yesterday. Life experiences, growth, and maturation have shaped the individual I am today. While my past actions contributed to my present self, it is unjust to hold me solely accountable for the deeds of my youth. Let us acknowledge that experiences have molded us, yet refrain from has tily judging or forming opinions based solely on actions from a decade ago. People undergo change, and I am not the same person I once was.
Though fingerprints play a crucial role in identification and security, they do not fully encapsulate the complexity and transformation of a human being over time. Instead, let us strive to understand each other’s journey and embrace the growth that accompanies it, without making undue assumptions about one another solely based on our past.
In my artwork, «One Print Many Faces,» I utilize my own fingerprint to create an oval form with distinct faces, symbolizing the uniqueness and evolution of individuals over time.
“FROM THE EARTH”
In my captivating series, “From The Earth,” I create heartfelt artworks tied to my cherished childhood memories. These unique pieces are crafted using earth collected from places that evoke nostalgia within me.
Ibiza holds a special place in my heart, and the earth from this enchanting island is at the core of these artworks. It was a time of carefree joy, spent playing in the garden, feeling the earth under my fingers, and building sandcastles on the beach. Life was simple, and worries were distant.
With these works of earth-infused artistry, ofthen created by usings sticks and fingers, I aim to capture the essence of those carefree days and preserve the beauty of those memories.
Through this series, I invite others to share in my journey and discover their own cherished pasts within my art. Let’s celebrate the magic of life’s simple joys and the power of reconnecting with our roots.
